Luthiers secret door
Classical guitar builder and luthier by true passion. From rare woods of the highest quality Christian Schwengeler builds in his studio in Lisbon every year a small number of high-level classical guitars.
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An individually built instrument is without any doubt something magnificient and it is possible to achieve a surprising level of ressonance and sound quality. I am a guitar builder by passion and vocation. Each guitar is unique and conveys the magic of love for music. You can access recordings of my Instruments on my channel soundcloud , myspace and my channel on Youtube
quinta-feira, 6 de junho de 2019
segunda-feira, 3 de junho de 2019
Lattice braced model
My lattice model is a Byers style Lattice
with an all wood lattice bracing. Basically it consists in two 7 strut fans crossed ( one fan in spruce the other in cedar) which results in a top with progressive stiffness, stiffer in the center and more flexible at the edges.The result is a very good sound
projection and good definition with very good trebles and good sound
balance over the whole scale. The sound is a bit dryer than my
traditional model or my double-top model. On the other hand it has very
good sustain and good tone separation and the instrument has a
penetrating sound with a lot of harmonics. I build this model with
either spruce or cedar top and I have it in spruce top / Indian Rosewood back
and sides available.
Canço de Lladre
Tango en Skai
I do
build on order and the normal waiting time is 4-5 month
The non
CITES woods I can offer you for backs and sides are:
Padouk,
Mexican Grenadill, Pau Ferro, Wenge,
Canarywood, Black Walnut, Tigerwood, African Mahogony and Maple. I
have also East Indian Rosewood, African Ebony and Amazone Rosewood.
Tuners
I can offer are :Schaller Grandtune with oval Snakewood or Ivoroid
handles, or Gotoh 1800 with Ivoroid Handles, and Van Gent Deluxe with
Ivoroid handles, or Perona on request.
These
are a few recording of my lattice model in red cedar, the same build
as described above in the following links
Acalento Evandro MenesesCanço de Lladre
Tango en Skai
segunda-feira, 18 de março de 2019
Nomex sandwich-top model
The
german luthiers Gernot Wagner and Matthias Dammann did in the early
90ties experiments with new materials and top designs and lamination
techniques. The conclusion was that top response can be significantly
increased by making it lighter and also a bit more flexible. To allow
the top to maintain its structural integrity they started to use a
material witch has its provenience in aeronautics – it is a
honeycomb grid made of aramid called Nomex, a kind of nylon fiber.
Meanwhile a lot of builder started to get familiar with the procedure
and made their own top design based on it.
It
was Gernot Wagner who became aware of the Nomex honey-comb grid and
had the idea to use it for instrument building, this was in fact a
mayor break through and did open new possibilities. I had the honor
of Gernot’s visit in my workshop in 2014, when he was on a holiday
in Lisbon and was able to show him my work and exchange different
perspectives about his technology. I had also the generous help of
the Canadian luthier Marcus Dominelli who gave me very precious
information about the procedure and the details and encouraged me to
develop my own top design and I am very grate full to both of them.
Today double-top building has
become very popular and most builder do forget that this was only
possible because of the innovation and investigation for new methods,
which once had to be carried out by someone. Beside other vantages,
the nomex sandwich top guitars have a more uniform tonal
characteristic between instruments from the same builder, which were
built in the same way, because the overall characteristics of the top
like weight, flexibility and directional stiffness do depend much
more of the quality of the sandwich and the bracing, in opposition to
a traditional guitar where the specific characteristic of a piece of
wood has a mayor influence of the outcome. Even like that the quality
of the wood is still important and tops made from spruce or cedar do
not sound the same
Since
2013 I build successfully a nomex sandwich-top model of my own
design. The vantage of this procedure (nomex laminated between 2 thin
layers of wood), is to have a top which is more responsive and has a
somewhat lower top resonance frequency than
a traditional build, which gives the
instrument a special sound characteristic – generally the sound is
warmer and fuller, with more fundamental content and some more volume
with very good sustain.
My sandwich-top model has
beautiful and rich timber with good balance over the hole scale. The
sandwich-top is my top model and I have it regularly in stock for
demonstration and sale either in spruce or red cedar. If you are
looking for a high quality instrument at an affordable price this is
a very good choice, and you shouldn’t hesitate to visit my workshop
when ever you are in Lisbon, if you are looking for an instrument of
course. soundcloud or for more recordings click here
I have the double top model available in spruce and cedar with Indian rosewood back and sides.
I also do
build on order and the normal waiting time is 4-5 month
The non
CITES woods I can offer you for backs and sides are:
Padouk,
Mexican Grenadill, Pau Ferro, Wenge,
Canarywood, Black Walnut, Tigerwood, African Mahogony and Maple. I
have also East Indian Rosewood, African Ebony and Amazone Rosewood.
segunda-feira, 28 de maio de 2018
2018 traditional model
My
traditional model is based on the Hernandez y Aguado design – a fan
bracing with an additional oblique treble bar which enhances sound
balance and treble response. It has a typical Spanish sound with very
good volume and a clear strong voice over the whole scale
Back and sides IRW
Top Italian Spruce
Neck: carbon reinforced cederela with elevated fingerboard
Tuner Van Gent 310
Fingerboard African ebony
Bracing Hernandez y Aguado
This instrument has all the virtudes of my traditional model: very good sound balance, precise tone with good definition, sofisitcated timber with good volume. If you are looking for an affordable instrument with superior sound caractiristics and good playability, this is a very good choice.
I do
build on order and the normal waiting time is 4-5 month
The non
CITES woods I can offer you for backs and sides are:
Padouk,
Mexican Grenadill, Pau Ferro, Wenge,
Canarywood, Black Walnut, Tigerwood, African Mahogony and Maple. I
have also East Indian Rosewood, African Ebony and Amazone Rosewood.
The tuners
I do offer are :Schaller Grandtune with oval Snakewood or Ivoroid
handles, Gotoh 1800 with Ivoroid Handles, and Van Gent Deluxe with
Ivoroid handles, Rubner Hauser special with ebony handles or Perona on request.
This is a link to a recording of a similar instrument.quinta-feira, 24 de maio de 2018
Tango en Skai
Tango en Skai by Roland Dyens Played by João Vasco Ferreira, Audiovisual Production by Evandro Meneses, Guitar Christian Schwengeler 2016, Lattice red cedar
quinta-feira, 3 de maio de 2018
Acalento by Evandro Meneses | João Vasco Ferreira
Acalento by Evandro Meneses | João Vasco Ferreira plays on a 2016 Christian Schwengeler cedar lattice model
domingo, 29 de abril de 2018
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